HomeSynopses Synopses All the (Hi)stories: Godard Haunted by Godard by David Sterritt All the (Hi)stories: Godard The Eras of Godard: A Phenomenological Approach by Glen W. Norton All the (Hi)stories: Godard Godard’s Chromatic Fabric by Tamara Tasevska The Control of the Universe The Biopolitical Potential of Postmodern Cinema: when Badiou and Žižek meet Aloni’s Local Angel by Oana Șerban The Control of the Universe The Dark Knight Trilogy: Fake Solutions and Real Indoctrination by Davor Džalto The Control of the Universe Echoists of the “Anthrobscene” – We Better Look Up! by Gabriella Calchi Novati The Control of the Universe War, Displaced People and Poverty in Contemporary Films by Rahime Özgün Kehya A Single (Hi)story War through the Lens of a Camera: Reflections on Seeing in the Work of Ernst Jünger by Martín Heredero Campo A Single (Hi)story Is An Cailín Ciúin an Example of Deleuzian Minor Cinema? by Niall Kennedy A Single (Hi)story Horror Film and Philosophy: Revenge and Forgiveness in Pumpkinhead by Diana Neiva A Single (Hi)story On the Immortality of Death: Beckett’s Film According to Gilles Deleuze by Diogo Nóbrega Only Cinema The Posthumous Phenomenology of the Star Biopic: Kristen Stewart as Jean Seberg by Lucy Bolton Only Cinema The Face as Icon: Rethinking Pictorial Representation through Lévinas’ Concept of the Face by Alexandra Okanovic Only Cinema The Language of Film by Nemanja Mićić Only Cinema Understanding Cinema: From Semiotic Structures to Free-Floating Interpretations by Olena Verbivska Deadly Beauty Towards an Apotropaic Cinema: Feminist Posthumanism and Representation in Tár, She Said, and Women Talking by Russell J. A. Kilbourn Deadly Beauty Ontology and Gender in Film Philosophy by Georgios Arabatzis and Evangelos D. Protopapadakis Deadly Beauty Aesthetics and Political Philosophy of Fem Film Documentaries by Senka Anastasova Deadly Beauty Seeing Beyond: A Feminist Psychoanalytic Approach to the Politics of the Cinematic Gaze by Sofia Koukia The Signs Among Us Differences Between Comics vs Cinematic Storytelling: Formats, Motion, Duration and the Concept of Closure by Boshko Karadjov The Signs Among Us Movie as a Stimulus in Workshops for the Development of Critical Thinking by Bruno Ćurko The Signs Among Us Wittgenstein and Cinema by Ernesto Heredero del Campo The Signs Among Us Cinema and Death: A Film-Philosophical Analysis by Susana Viegas
